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Jacopo Pontormo Portrat einer Dame mit Spindelkorbchen oil painting


Portrat einer Dame mit Spindelkorbchen
Painting ID::  74937
Jacopo Pontormo
Portrat einer Dame mit Spindelkorbchen
1516 Oil on wood 76 X 54 cm cjr

   
   
     

Jacopo Pontormo Noli me tangere oil painting


Noli me tangere
Painting ID::  76107
Jacopo Pontormo
Noli me tangere
Deutsch: nach 1531 English: after 1531 Medium Oil on wood Dimensions Deutsch: 175 ?? 134 cm cyf

   
   
     

Jacopo Pontormo Portrat einer Dame mit Spindelkorbchen oil painting


Portrat einer Dame mit Spindelkorbchen
Painting ID::  76513
Jacopo Pontormo
Portrat einer Dame mit Spindelkorbchen
Date 1516 Medium Oil on wood Dimensions Deutsch: 76 ?? 54 cm cyf

   
   
     

Jacopo Pontormo Madonna and Child with St Anne and Other Saints oil painting


Madonna and Child with St Anne and Other Saints
Painting ID::  83604
Jacopo Pontormo
Madonna and Child with St Anne and Other Saints
Date ca. 1529(1529) Medium Oil on wood Dimensions Height: 228 cm (89.8 in). Width: 176 cm (69.3 in). cjr

   
   
     

Jacopo Pontormo Madonna and Child with Two Saints oil painting


Madonna and Child with Two Saints
Painting ID::  83606
Jacopo Pontormo
Madonna and Child with Two Saints
Date 1522(1522) Medium Oil on wood Dimensions Height: 72 cm (28.3 in). Width: 60 cm (23.6 in). cjr

   
   
     

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     Jacopo Pontormo
     Italian 1494-1557 Jacopo Pontormo Galleries Italian painter and draughtsman. He was the leading painter in mid-16th-century Florence and one of the most original and extraordinary of Mannerist artists. His eccentric personality, solitary and slow working habits and capricious attitude towards his patrons are described by Vasari; his own diary, which covers the years 1554-6, further reveals a character with neurotic and secretive aspects. Pontormo enjoyed the protection of the Medici family throughout his career but, unlike Agnolo Bronzino and Giorgio Vasari, did not become court painter. His subjective portrait style did not lend itself to the state portrait. He produced few mythological works and after 1540 devoted himself almost exclusively to religious subjects. His drawings, mainly figure studies in red and black chalk, are among the highest expressions of the great Florentine tradition of draughtsmanship; close to 400 survive, forming arguably the most important body of drawings by a Mannerist painter. His highly personal style was much influenced by Michelangelo, though he also drew on northern art, primarily the prints of Albrecht Derer.

     Related Artists::.
     | staffan hallstrom | CLAEISSENS, Pieter the Younger | Madeleine Lemaire |


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